Initially interested in
addressing the notion of
painting and observation
of how a romantic
landscape has changed. In
these early works using
webcams hinted to the idea
of a digital age. The
geographical location
wasn't of significance
to me, the aesthetic
quality and mundanity of
these unchanging scenes
attracted me. The surface
of these works are heavily
layered and abstracted
giving disconnection from
the process of painting
within the works, and
disconnection from the
landscape as a source.
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